What’s on in Tel Aviv

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Tell Me Everything

AIDS-era panic and the homophobia around him turn what a boy learns about his father into a family wound; nine years later, he confronts whether their closeness can be recovered.

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Homo Argentum

Guillermo Francella plays a succession of roles in a satirical anthology that uses his changing faces to expose contemporary Argentine hypocrisy.

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Sentimental Value

Gustav offers Nora a role drawn from their family history; her refusal leaves open whether art can repair a father's abandonment.

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Simple Actions

Three Friday dinners compress an Israeli family’s small rituals and 2023 fractures into a comedy where even a cake recipe carries weight.

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לנקות את הראש

A strongman mayor recruits a cleaner as a fake opponent, only for Ilan Hatsor’s political comedy to give her a campaign of her own.

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The Tel Aviv Biennale of Crafts and Design 2026

The Biennale focuses on contemporary art and design that reimagines manual techniques and traditional disciplines.

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Ilana Dotan: Shelf Life

Ilana Dotan draws synthetic packaging in graphite and charcoal from smartphone photographs.

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Ronny Carny: If I Had A Heart

Ronny Carny presents a single wall-based installation built from recurring images, materials and forms.

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אסי כהן — שאולי

Assi Cohen lets Shauli loose on reincarnation, veganism and Israeli life in a narrative show powered by the character’s lack of self-awareness.

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Gitit Fisher

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Noga D’Angeli — Testing New Material

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Abu Ghosh Festival

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Rubinstein Competition Winners: Chamber Concert

Rubinstein winners Yudin and Park share a programme that moves from Dvořák’s Dumky Trio to Rachmaninoff’s elegiac weight.

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Cinderella

Rossini’s Cinderella becomes one Hebrew hour in the Opera foyer, with children on the rugs and a magician replacing the fairy godmother.

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Passion is a lonely hunter

Michael Getman turns words, glances and claps into a choreography of communication breaking down and beginning again.

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Kamuyot

Ohad Naharin removes the stage distance: Batsheva dancers move within arm’s reach, drawing children and adults into the same kinetic game.

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Sadeh21

Batsheva performs Ohad Naharin’s 2011 work, with a running time of 75 minutes.

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The Queen Is Dead at 40

Uri Misgav listens closely to The Queen Is Dead, tracing the friction between Morrissey’s melancholy and Johnny Marr’s guitars.

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Cinema Metropolis: The Image of the Cruel | Buenos Aires, Santiago, and Rio de Janeiro

A lecture and screening trace how Latin American dictatorships used architecture to hide political violence, and what cinema can preserve against that erasure.